Day of the Dead: Bloodline (2018)

dayofthedeadbloodline

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The final installment of George A. Romero’s original zombie trilogy is given a re-imagining that holds its own in this film from director Hèctor Hérnandez Vicens.

Zoe Parker is a medical school student who has been working at an internship at a center where she is constantly approached by patient Max. Max has an obsession with Zoe, even going as far as tattooing her name on his arm. To celebrate the success of the last day of the internship, Zoe goes to a party where tragedy ensues. When Max attempts to assault Zoe, a cadaver comes to life and bites Max. This leads into the first of what would become a major zombie outbreak with Zoe becoming the only survivor.

Five years have passed and since witnessing the outbreak, Zoe decides to track down a cure for the disease. Zoe’s objective is to head to an abandoned bunker to do her research with the likes of her boyfriend Baca, Baca’s brother Miguel, and others. En route to the bunker, their transportation breaks down. This leads to the group doing what it takes to get to the bunker. When they finally arrive, Zoe learns of a shocking revelation, one that could be the key to finding the cure to stop and finally end the zombie outbreak.

1985’s Day of the Dead would be the final of the original zombie trilogy from the late great George A. Romero. The film has a zombie outbreak with survivalists in a military bunker. While that film would end in a more shocking manner, this reimagining takes that story and adds some major twists and turns that prove to be vital and in fact, from a scientific point of view, brings up a possible realistic manner in terms of finding a cure for the outbreaks.

The script by Mark Tonderai and Lars Jacobsen wisely took the core elements of the original film and under the direction of Hèctor Hérnandez Vinces, successfully makes it its own entity. In the original, there are zombies who are made to be docile, notably the character of “Bub”, played by Sherman Howard. In this film, “Bub” is replaced by Max, played by Jonathan Schaech. Max is first seen a creepy fellow who has an obsession with the potential heroine Zoe, played by Sophie Skelton. However, in the scene where he is ready to assault her, he is attacked by a zombie but just when you thought Schaech was making a cameo, he proves to be the pivotal supporting character that proves to be the catalyst for Zoe to do what is necessary to accomplish her mission.

This time around, the insane military officer that thinks all zombies should be dead no matter what is the character of Miguel Salazar, played by Jeff Gum. In an interesting move, the name of the character was also used in the original film as played by Anthony DiLeo Jr. In the original, Miguel was the boyfriend of the lead character, but here the boyfriend role goes to Baca, Miguel’s younger brother, played by Marcus Vanco. Baca is a really sympathetic character and stands by Zoe, even when a small rift is imminent.

In an age where CGI is primarily used, Vinces opts to take the practical effects approach and it becomes a very smart move. This is the piece de resistance as the film does bring a true homage to the Romero classic in terms of the zombie kills. Disembowlments, bites, and just sheer gore is displayed quite well in the film. However, unlike most horror films today, there is a sense of emotion that helps complement the terror that plagues the film.

While a loose 2008 remake didn’t fare well with fans, this 2017 reimagining of Day of the Dead, does bring a sense of emotion and a somewhat realistic scientific twist to the film. If you are curious or want to see a zombie film with an actual story, this may be just for you.

WFG RATING: B+

Saban Films and Millennium Media presents a Campbell/Grobman Films in association with Nu Boyana. Director: Hèctor Hérnandez Vicens. Producers: Christa Campbell, Lati Grobman, Boaz Davidson, James Glenn Dudelson, Robert Franklin Dudelson, and Jeff Rice. Writers: Mark Tonderai and Lars Jacobson; based on the 1985 film “Day of the Dead” by George A. Romero. Cinematography: Anton Ognianov. Editing: Damien Drago and Ivan Ivanov.

Cast: Sophie Skelton, Jonathan Schaech, Marcus Vanco, Jeff Gum, Mark Rhino Smith, Lillian Blakenship, Shari Watson, Lorina Kamburova, Rachel O’Meara, Cristina Serafini, Luke Cousins, Nathan Cooper, Nick Loeb, Bashar Rahal.

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